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Dec 4, 2012
12/12
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narr: but there's no sign of the gunman. long into the night the search continues around the outhouses and surrounding area. eight hours into the operation and there's still no suspect but instead, srt finds what the gunman was protecting - a clandestine grow room full of marijuana. later that morning, the gunman is arrested 40 miles away on the other side of the city. he's charged with attempted murder and drug trafficking. peter do'ench sync: this is the man that police arrested, joel padron garcia. they say he was guarding a marijuana grow house. garcia and the silverado he was driving were found at a friend's house in dania beach after a manhunt by police. authorities said garcia was guarding a home where 129 marijuana plants were confiscated - plants worth more than $1.3 million on the street. meanwhile i have spoken with a number of miami dade police officers. they tell me that detective diaz is going to be okay. we're live at miami dade police headquarters. peter dan, cbs4 news. narr: back at the special response team
narr: but there's no sign of the gunman. long into the night the search continues around the outhouses and surrounding area. eight hours into the operation and there's still no suspect but instead, srt finds what the gunman was protecting - a clandestine grow room full of marijuana. later that morning, the gunman is arrested 40 miles away on the other side of the city. he's charged with attempted murder and drug trafficking. peter do'ench sync: this is the man that police arrested, joel padron...
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Feb 22, 2012
02/12
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CURRENT
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narr: but there's no sign of the gunman. long into the night the search continues around the outhouses and surrounding area. eight hours into the operation and there's still no suspect but instead, srt finds what the gunman was protecting - a clandestine grow room full of marijuana. later that morning, the gunman is arrested 40 miles away on the other side of the city. he's charged with attempted murder and drug trafficking. peter do'ench sync: this is the man that police arrested, joel padron garcia. they say he was guarding a marijuana grow house. garcia and the silverado he was driving were found at a friend's house in dania beach after a manhunt by police. authorities said garcia was guarding a home where 129 marijuana plants were confiscated - plants worth more than $1.3 million on the street. meanwhile i have spoken with a number of miami dade police officers. they tell me that detective diaz is going to be okay. we're live at miami dade police headquarters. peter dan, cbs4 news. narr: back at the special response team
narr: but there's no sign of the gunman. long into the night the search continues around the outhouses and surrounding area. eight hours into the operation and there's still no suspect but instead, srt finds what the gunman was protecting - a clandestine grow room full of marijuana. later that morning, the gunman is arrested 40 miles away on the other side of the city. he's charged with attempted murder and drug trafficking. peter do'ench sync: this is the man that police arrested, joel padron...
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Mar 2, 2012
03/12
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CSPAN3
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are not the main narratives. they're not that -- they are there similarly and at some point i would assume they would come back to the forefront. but for the time being, they are not what defines the arab discourse. again, look at the arab media, al jazeera and you see that palestinian issues rarely emerge. that's what is happening in syria and elsewhere. equally, the arab spring came back to expose some of these tensions that were latent over the last period. for example, iran's characterization of the arab spring as islamic spring or islamic spring simply did not correspond to the sentiment on the street. these arab movements even though many are being now he could opted by the movements were not initiated by an islamist movement and they were not is lambs in their nature. so there was a degree of disconnect between the iranian messaging and the arab streets that made the messaging more difficult to receive and to take hold. this was compounded by iran's sectarian response to this arab spring. the response to i
are not the main narratives. they're not that -- they are there similarly and at some point i would assume they would come back to the forefront. but for the time being, they are not what defines the arab discourse. again, look at the arab media, al jazeera and you see that palestinian issues rarely emerge. that's what is happening in syria and elsewhere. equally, the arab spring came back to expose some of these tensions that were latent over the last period. for example, iran's...
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May 7, 2012
05/12
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historians, narrative is our tool. in helping people to make sense of the bewildering events that are happening all-around it. helping people to in that way try to rest some control, whether they can or not. they are destructing their lives possibly, but also bringing some understanding to how narratives are used for political purposes. the economic crises matter and what they are and how they relate to each other, but why is it that the narrative matters and some of the things that jessica was just saying i resonate with and are part of the rationale for this panel partly because it's our way, i think, of acknowledging that the panel has something unique to bring and not only that they can step back and give a contextual sense of the moments of panic and crisis but narrative is our tool for making sense of the past. so we have a particular understanding of why it is that narratives will matter. in helping people to make sense of and all sorts of different ways the very bewildering events that are happeninging all arou
historians, narrative is our tool. in helping people to make sense of the bewildering events that are happening all-around it. helping people to in that way try to rest some control, whether they can or not. they are destructing their lives possibly, but also bringing some understanding to how narratives are used for political purposes. the economic crises matter and what they are and how they relate to each other, but why is it that the narrative matters and some of the things that jessica was...
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May 19, 2012
05/12
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CSPAN3
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just in terms of a third narrative, if you will, about a tragic narrative or accidental narrative, captain ron snyder is pictured here with the arrow here and the body of jeff miller and, again, carol mirman is in this photo, as well. snyder has said, and we don't have time to play his clip, my personal feeling is that it was a terrible accident. that's number one. second thing would be it was a terrible accident that received national attention to the national conscience. okay? another guardsman who remained a anonymous said "there's no one to blame, no incident to blame. in my mind i think was the dynamics of a lot of things happening at that one time. i truly feel sorry for a lot of people and i want to say that i feel equally sorry for the families of those students that were shot and equally sorry for the guardsmen that shot them." so trying to wrap up, in how we can sort of think about these narratives and the events at kent in the larger understanding of the '60s, historian david steigerwald has said that for those on the left, the '60s "was a moment of great change abruptly ended b
just in terms of a third narrative, if you will, about a tragic narrative or accidental narrative, captain ron snyder is pictured here with the arrow here and the body of jeff miller and, again, carol mirman is in this photo, as well. snyder has said, and we don't have time to play his clip, my personal feeling is that it was a terrible accident. that's number one. second thing would be it was a terrible accident that received national attention to the national conscience. okay? another...
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Feb 27, 2012
02/12
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there were some black people that conducted the slave narratives. they weren't all white interviewers that went out and did the slave narratives. so, are they perfect? no. but they are, to me, an excellent source of information about the life of slaves in america. wait until the microphone. >> i'm relatively -- john, relatively speaking, was there a higher or lower percentage of blacks serving in the confederate navy as opposed to the confederate army? >> i think -- i can't really give you a quantifiable answer on that. i don't know. my best guess is probably higher on the navy side. i found numerous instances of confederates serving in the confederate navy. they also obviously served in the union navy. but that's a guess, dr. hardy, i'm not sure. any other questions? >> john, i did have one question behind you. would it be ok if i use this microphone? when you were speaking of the dage rate during the m terrible thought it was more than 20%, but it was also comparable to the european immigrants, does anybody have any figures on what the death rate
there were some black people that conducted the slave narratives. they weren't all white interviewers that went out and did the slave narratives. so, are they perfect? no. but they are, to me, an excellent source of information about the life of slaves in america. wait until the microphone. >> i'm relatively -- john, relatively speaking, was there a higher or lower percentage of blacks serving in the confederate navy as opposed to the confederate army? >> i think -- i can't really...
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Jan 29, 2012
01/12
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eye 95
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the story of the takeover's aftermath is a tension of conflicting narratives. the progressive narrative in which the university's response to the protest is characterized in terms of social justice and racial cooperation, the redemptive narrative to evoke a sense of progress. the commemoration allowed all participants to find themselves on the right side of history, and a toxic narrative about the ongoing racial inequality within rutgers faculty and underrepresentation of newark high school graduates within the student body. the liberation of conklin hall south to make rutgers recognize its responsibility to the black community by forcing the university to reconcile its identity crisis as a white school in a black city. the city of newark became a contested space in the 1960s, one that had been a vehicle of upward mobility for whites, but offered bleak prospects for its increasing black population. the demand for equality and access to higher education became vital in a city whose job opportunities continued to decline for working class residents while racial t
the story of the takeover's aftermath is a tension of conflicting narratives. the progressive narrative in which the university's response to the protest is characterized in terms of social justice and racial cooperation, the redemptive narrative to evoke a sense of progress. the commemoration allowed all participants to find themselves on the right side of history, and a toxic narrative about the ongoing racial inequality within rutgers faculty and underrepresentation of newark high school...
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May 12, 2012
05/12
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CSPAN3
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eye 109
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but historians, you know, narrative is our tool. narrative is our tool for making sense of the past. so we have a particular understanding of why it is that narratives matter in helping people to make sense of in all sorts of different ways the very bewildering events that are happening all around them. and helping people to in that way try to rest some control, whether they really can or not, over, again, these bewhich wouldering events that are disrupting their lives, possibly, but also in bringing some understanding to how narratives are used for political purposes. not just narrow electoral purposes, although they absolutely are used for electoral purposes, the politics of blame is something that is a big theme in jessica's paper. and you can't avoid it in thinking about, you know, the upcoming election. who is to blame? whose crisis is this? suddenly, the crisis has become barack obama's crisis. suddenly, it became martin van buren's crisis. that's a political process. >> well, one of the common themes in the narrative is the b
but historians, you know, narrative is our tool. narrative is our tool for making sense of the past. so we have a particular understanding of why it is that narratives matter in helping people to make sense of in all sorts of different ways the very bewildering events that are happening all around them. and helping people to in that way try to rest some control, whether they really can or not, over, again, these bewhich wouldering events that are disrupting their lives, possibly, but also in...
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May 20, 2012
05/12
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eye 174
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rutgers used the protest within a carefully crafted narrative of progress. the university emerged as a hero in the memory of the protest because according to the narrative created by rutgers it was challenged by students and in response became an open and multiracial environment. the collective memory produced through the commemorative process fails to attribute the role of post 1965 immigration patterns in the current diversity of the student body demographics. it also celebrates the education opportunity fund as an outcome of the protests even though the program was a state initiative that precedes the sit-in and today provides support to many students less than 30% of whom are black. the relationship between history and memory as two different forms of narration essential to the struggle of individuals and communities because historical narrations often shape and transform our understandings of place. the meanings attributed to place in turn can dictate which events are remembered or forgotten. commemoration and sights of memory are plagued by competing c
rutgers used the protest within a carefully crafted narrative of progress. the university emerged as a hero in the memory of the protest because according to the narrative created by rutgers it was challenged by students and in response became an open and multiracial environment. the collective memory produced through the commemorative process fails to attribute the role of post 1965 immigration patterns in the current diversity of the student body demographics. it also celebrates the education...
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Sep 30, 2012
09/12
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FOXNEWS
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this is the opportunity to do that. >> paul: that obama narrative is disaster. don't let mitt romney who is just like george bush brings you back to the disaster and some people are buying that narrative. reluctantly because i think romney has not connected obama's policies to the pain they feel? >> forward looking, the president he would be and let him present to the people what the disaster would be in the second term for obama. what would be the case. he doesn't have to worry nice guy and all this. this is the only one and only chance. there is life after the presidency. he ought not to look back and say i didn't risk being an independent. >> paul: i didn't leave anything on the table. what are you hearing how they are going to proceed? >> the big question that remains we're seeing two different romneys out there. sometimes you see an aggressive mr. romney who is out rebutting some of the president's arguments. sometimes i see sorrowful romney that president lament. i think he needs to be aggressive but the media press on him to come across as sorrowful, 47%
this is the opportunity to do that. >> paul: that obama narrative is disaster. don't let mitt romney who is just like george bush brings you back to the disaster and some people are buying that narrative. reluctantly because i think romney has not connected obama's policies to the pain they feel? >> forward looking, the president he would be and let him present to the people what the disaster would be in the second term for obama. what would be the case. he doesn't have to worry...
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May 12, 2012
05/12
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eye 135
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but also for bringing understanding to how narratives are being used for political purposes. not just electoral purposes, although they are absolutely used in electoral purposes. who's crisis is this? suddenly the crisis has become obama obama's crisis. sudden liz it became martin van buren's crisis. >> it seems to be t s -- ban b not only have the banks been at the core of these crises, but at many moments of crisis and panic in particular. economic crises that begin with moments of financial panic or financialized panic, have banks at their core and have different aspects of the whole banging system and the whole system of global finance at their core. in fact one of the tihemes that kind of draws all this together is the global origins of these crises. it came from evening land, it came from banks like the roth childs and the barrons, these big bans of england and the bank of england kind of controlled the credit markets. but banks are the interesting part of the 1837 crisis, because for a long time historians have focused on the end of the -- that was the end of when peop
but also for bringing understanding to how narratives are being used for political purposes. not just electoral purposes, although they are absolutely used in electoral purposes. who's crisis is this? suddenly the crisis has become obama obama's crisis. sudden liz it became martin van buren's crisis. >> it seems to be t s -- ban b not only have the banks been at the core of these crises, but at many moments of crisis and panic in particular. economic crises that begin with moments of...
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Apr 28, 2012
04/12
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CSPAN3
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eye 105
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it gives them a narrative. all the time that there were a lot of people in our profession who were dumping on the master narrative. i was never one of those people. not that we should have one narrative. unless we have a coherent narrative and it is all complexity and if it is all exceptions to this and exceptions to that, then people will be bored by it. only scholars will want to read about it. i was so happy when, you know, jackson wrote his wonderful book. "rebirth of a nation." this is, i think, the best narrative of the period. it is unlike zen, alive. tragedy of the classic kind. obviously, his book will not be assigned in many high schools. >> jackson, in the same piece of yours that i quoted earlier, you also say the public sphere is a mess. to the degree you still believe that, i wonder if you think journalism or history, the professional of journalism can contribute to changing that? >> absolutely. i mean that's what gets me out of bed every morning, i think. that this naive, but persistent idea that
it gives them a narrative. all the time that there were a lot of people in our profession who were dumping on the master narrative. i was never one of those people. not that we should have one narrative. unless we have a coherent narrative and it is all complexity and if it is all exceptions to this and exceptions to that, then people will be bored by it. only scholars will want to read about it. i was so happy when, you know, jackson wrote his wonderful book. "rebirth of a nation."...
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108
Apr 29, 2012
04/12
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eye 108
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this is, i think, the best narrative of this period, but it's a narrative which is unlike zen, alive to contradiction, alive to irony, alive to tragedy of a sort of classic kind. but obviously his book will not be assigned in many high schools unlike zen's. >> jackson, in the same piece of yours that i quoted earlier, you also say the public sphere is a mess. i'm wondering -- >> i saw that. >> to the degree that you still believe that, i'm wondering whether you think that either journalism or history, the profession of journalism and profession of historians can contribute to changing that. >> oh, shabsolutely. i mean, that's what gets me out of bed every morning. that this naive but persistent idea that if we do get it right, and by we i mean journalists and historians alike, then we can somehow contribute to a more vital public sphere, one where points of view are actively and intelligently debated and not merely dismissed or excluded because they don't fall into the current conventional wisdom. i'm not sure what the context of that sentence was. i'm sure that it had to do in part
this is, i think, the best narrative of this period, but it's a narrative which is unlike zen, alive to contradiction, alive to irony, alive to tragedy of a sort of classic kind. but obviously his book will not be assigned in many high schools unlike zen's. >> jackson, in the same piece of yours that i quoted earlier, you also say the public sphere is a mess. i'm wondering -- >> i saw that. >> to the degree that you still believe that, i'm wondering whether you think that...
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Nov 11, 2012
11/12
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it is all told through the power of narrative. i am feel like i am not an expert and will fully on agitated about vast pieces of american life. as a storyteller, i understand i need to go here and put those pieces together. >> i wanted to follow up on something you referenced, the notion of the journalism school, teaching. you are seeing more journalism schools asking, a bunch of foundations getting together recently who wrote a letter that you are not supposed to use in newspaper leads, slamming journalism universities for not using that model. what are journalism schools producing? part of me wonders, is part of what is going on we are trying to keep labor costs low -- those are people who do not need to pay, but they are paying you for the privilege of doing the work. >> this is completely my opinion. i think the world is changing so much faster than academia is accustomed to. journalism, even just a few years ago, we would not be having this conversation. we will be having the death of the newspaper conversation. we had that f
it is all told through the power of narrative. i am feel like i am not an expert and will fully on agitated about vast pieces of american life. as a storyteller, i understand i need to go here and put those pieces together. >> i wanted to follow up on something you referenced, the notion of the journalism school, teaching. you are seeing more journalism schools asking, a bunch of foundations getting together recently who wrote a letter that you are not supposed to use in newspaper leads,...
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May 7, 2012
05/12
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eye 138
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historians, narrative is our tool. in helping people to make sense of the bewildering events that are happening all-around it. helping people to in that way try to rest some control, whether they can or not. they are destructing their lives possibly, but also bringing some understanding to how narratives are used for political purposes. not just those purposes, but they are used to electoral purposes and the politics of blame that is a big theme. you can avoid it in thinking about the upcoming election. who is to blame and whose crisis is this? the crisis is suddenly barack obama's crisis and martin van buren's crisis. that's a political process. >> of course in 1933 under fdr, right some. >> absolutely. many moments of crisis and panic in particular. economic crisis that begins with moments of financial panic or financialized panic. they have banks at the core. they have different aspects of the whole banking system and the system of global finance at the core. one of the themes that draws all that and the origins of
historians, narrative is our tool. in helping people to make sense of the bewildering events that are happening all-around it. helping people to in that way try to rest some control, whether they can or not. they are destructing their lives possibly, but also bringing some understanding to how narratives are used for political purposes. not just those purposes, but they are used to electoral purposes and the politics of blame that is a big theme. you can avoid it in thinking about the upcoming...
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Dec 16, 2012
12/12
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eye 140
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i was using narrative's that were written by the slaves that ran away to freedom, and one of the things that struck me is that although we tend to think about the fly or the ohio victory as the great divide and once you got to the of the site you were so-called free, and like myself it intended in our work to focus on the first half of the narrative which is the enslavement in the south. but when you got to the other side the very powerful theme was the gray area of freedom and how precarious life was in the so-called free states and how many were always felt the need to either go to canada were to britain because there was no way of really achieving freedom because of the fugitive slave laws. so these were really important. looking at the emancipation statute passed by individual slaves and recognizing that basically they didn't free anybody but with exception the only freed the children of slaves and then became adults dependent on the age and gender and the state in each particular case. and then the very grey areas when the courts seem to be okay with former slaves then being injure
i was using narrative's that were written by the slaves that ran away to freedom, and one of the things that struck me is that although we tend to think about the fly or the ohio victory as the great divide and once you got to the of the site you were so-called free, and like myself it intended in our work to focus on the first half of the narrative which is the enslavement in the south. but when you got to the other side the very powerful theme was the gray area of freedom and how precarious...
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Sep 30, 2012
09/12
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FOXNEWSW
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i don't know why they went to that narrative. what is interesting the secretary of state hillary clinton stepped off that narrative herself. when she was at the united nations, also said that they knew that al-qaeda had been active in the arabian peninsula. it seems to me that the secretary of state is distancing herself from the white house was saying because if it comes out later in an investigation that the white house or ambassador rice was withholding information about what happened when they knew it there is going to be a problem for this administration. >> paul: just to be clear here. ambassador rice reports to hillary clinton. she is technically part of the state department operations. she made the most clear statements about the association with the video and refused to acknowledge whether or not it was a terrorist attack? >> we don't know who was calling the shots. we do know what they were saying breaks into two separate parts. what they've been saying now suggests they did know early on that al-qaeda was involved in t
i don't know why they went to that narrative. what is interesting the secretary of state hillary clinton stepped off that narrative herself. when she was at the united nations, also said that they knew that al-qaeda had been active in the arabian peninsula. it seems to me that the secretary of state is distancing herself from the white house was saying because if it comes out later in an investigation that the white house or ambassador rice was withholding information about what happened when...
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Feb 16, 2012
02/12
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MSNBCW
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that was the narrative last week. the next contest was maine where if you're mitt romney there is a real risk that narrative about you being unexpected loser, that narrative is not only going to continue it will get worse. >> other good news, too, ongoing caucus in over on the east coast, the state called maine? >> whatever you think about the ron paul campaign, and tactics and prospects, goals, the ron paul campaign has resours and have taken maine, the prospect mitt romney could lose to ron paul would be a devastating next chapter in what was the bad romney narrative heading in maine. the bad romney narrative that he wasn't winning places he ought to be winning. mitt romney had to win maine. the republican party in maine this weekend said that he did. i don't think he did. i'm not saying someone else won. there is no basis on which the maine republican party can have concluded that mitt romney won there. the results there are not complete yet. the margin of victory for mitt romney is slim. when you have incomplete r
that was the narrative last week. the next contest was maine where if you're mitt romney there is a real risk that narrative about you being unexpected loser, that narrative is not only going to continue it will get worse. >> other good news, too, ongoing caucus in over on the east coast, the state called maine? >> whatever you think about the ron paul campaign, and tactics and prospects, goals, the ron paul campaign has resours and have taken maine, the prospect mitt romney could...
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Aug 30, 2012
08/12
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MSNBC
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what do you make of that, and does he need a crisis narrative? >> maybe he does. i mean, his real problem is being somebody that the american people actually want to see in their living room several times a week for four years. and i think that's what tonight's speech is about. it's his big first test getting in people's living room in primetime and saying, look, i'm okay, you're not going to hate watching me on tv. in terms of crisis narrative, romney, the crisis maretive he wants to talk about is neither of those. it's i'm the turnaround guy. i went to the salt lake city olympics, it was in crisis, i fixed it. i was at bain capital, or bain consulting when it was in crisis, i fixed it. i went to massachusetts and made improvements there. that's the crisis narrative he wants to tell because it can -- it makes sense for him to tgo t the white house and fix this country. in terms of the personal things, i wouldn't be surprised if he does bring it up. they talked quite a bit as a campaign about the ms diagnosis. he doesn't dwell on it. it isn't something they've run
what do you make of that, and does he need a crisis narrative? >> maybe he does. i mean, his real problem is being somebody that the american people actually want to see in their living room several times a week for four years. and i think that's what tonight's speech is about. it's his big first test getting in people's living room in primetime and saying, look, i'm okay, you're not going to hate watching me on tv. in terms of crisis narrative, romney, the crisis maretive he wants to...
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Jan 24, 2012
01/12
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FOXNEWS
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do you know who's narrative was almost exactly the same way? obama, obama. >> he didn't mention the media because the media was kissing his butt all over the place, how could he be mad at them. he's mad at them now, it can't be the religion thing because of reverend wright, but his appeal last time, the narrative, hey, i'm going to go in there and change all of this and i'm going to be much more in tune to your feelings, of what you need, you, the american people. now, the avenger is coming in, what gingrich is doing is, excuse me, is he's building his resume' as an avenger. that's what he's doing. because, romney looks even wimpier wimpier-- what's he avenging, his bank account? >> having a larger narrative and romney going thunder dome on the-- >> that's right, and all he's got to do, what's his name out there with him. tina turner. >> he's like a technocrat guy, he's different and doesn't have the same skill that i think, and newt straight at the president and the media elite and that's-- >> and mary katherine. >> here is where, really quick
do you know who's narrative was almost exactly the same way? obama, obama. >> he didn't mention the media because the media was kissing his butt all over the place, how could he be mad at them. he's mad at them now, it can't be the religion thing because of reverend wright, but his appeal last time, the narrative, hey, i'm going to go in there and change all of this and i'm going to be much more in tune to your feelings, of what you need, you, the american people. now, the avenger is...
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was faults and five days later she went on five shows and said basically put out a false narrative for the election so should the question be instead of so let's take this woman down because she says she made a false narrative should the question be why would it in ministration official who knows what she's saying on t.v. is wrong saying that could it be that there's actually national security issues a state could be that maybe she's trying to protect assets on the ground it load of the interview there's a eyes on there's huge national security you guys are a bunch of moloch six times a relational policy of the united states government to go on the talk shows and make blatantly false statements because it's in the name of national security you can say i certainly have who can say i'm zoraida. going to say i'm sorry that the information that i have access to doesn't allow me to comment on there is there is no evidence that susan rice believes she was lying who wanted to say are so why doesn't she say hate this was august this is when i went on this during the thirty's you know you said
was faults and five days later she went on five shows and said basically put out a false narrative for the election so should the question be instead of so let's take this woman down because she says she made a false narrative should the question be why would it in ministration official who knows what she's saying on t.v. is wrong saying that could it be that there's actually national security issues a state could be that maybe she's trying to protect assets on the ground it load of the...
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morgan chase for example the narrative used to be that j.p. morgan. this was a really well run organization and jamie dunn was a great risk manager then they had this whole will trade and suddenly everyone said wait a minute maybe that narrative is not true the reality of course we know is that these net these these these accounting gains that these banks have been making are based on on the provisioning that is on lowering their loan loss provisions and the question is is is this a prudent thing to do at this point in the cycle are we moving towards a recession and if we are lowering their provisions then we're going to see it going forward so it's that sort of thing i mean the narrative in the banking sector is the world and therefore we should pay more dividends so it's not just the political in there but it's also the you know the sort of psychological game that's being played well and i ben bernanke he cites his stress test that the fed gave to the banks but these are all based on whatever stressful scenarios the central bankers came up with whic
morgan chase for example the narrative used to be that j.p. morgan. this was a really well run organization and jamie dunn was a great risk manager then they had this whole will trade and suddenly everyone said wait a minute maybe that narrative is not true the reality of course we know is that these net these these these accounting gains that these banks have been making are based on on the provisioning that is on lowering their loan loss provisions and the question is is is this a prudent...
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Nov 18, 2012
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the narrative was wrong. and why that's important, this isn't just about parsing words and who was right. there was some policy decisions made based on the narrative that was not consistent with the intelligence that we had. that's my concern. and we need to say, hey, we need to figure out how that happened, and let's make sure that doesn't happen again. >> did people die because we didn't protect them adequately? is that the bottom line here? >> david, we gave the direction yesterday that this whole process is going to be checked out. we are going to find out who made changes in the original statement. until we do, i really think it's unwarranted to make accusations. >> can i ask this? did our people die in that consulate because of the government's failure adequately protect them? be that at the state department, the cia. >> there are two issues here. one is the physical security of the consulate itself. based on all of the intelligence that we knew, all of that information, said clearly there was a high de
the narrative was wrong. and why that's important, this isn't just about parsing words and who was right. there was some policy decisions made based on the narrative that was not consistent with the intelligence that we had. that's my concern. and we need to say, hey, we need to figure out how that happened, and let's make sure that doesn't happen again. >> did people die because we didn't protect them adequately? is that the bottom line here? >> david, we gave the direction...
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. >> i think president obama is framing a narrative. i don't think this election is going to be won on a record, i think it's going to be won on a narrative. they're framed, not based on facts, they're based on perception and feeling. if you're talking about the distance between the fact and a record, about an improving economy, versus the feeling of a populace that does not reflect the fact. you're not talking about the reality of the record, i think you're talking about the perception and the narrative. >> i think ultimately the engine of self-governance, democratic representation should link at some level. and the fact to me it seems the place where we get anchored to the bedrock of economic reality is the economy improving that's what all the political science models say about predepicting. >> but two challenges, one is that the 2008 campaign will become a fresh narrative as we work into this re-election campaign and that was about the possibility of what america can become under this particular president. and so even with shoring u
. >> i think president obama is framing a narrative. i don't think this election is going to be won on a record, i think it's going to be won on a narrative. they're framed, not based on facts, they're based on perception and feeling. if you're talking about the distance between the fact and a record, about an improving economy, versus the feeling of a populace that does not reflect the fact. you're not talking about the reality of the record, i think you're talking about the perception...
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the media today of the dominant narrative has been that what occurred was that kennedy you know laid down the line too to the soviets that that these missiles had to go and that you know by standing strong we ultimately managed to sort of force our will the sub narrative. it hasn't been told as well although there have been some journals who have picked up on it is that you know that this was this was a negotiation and that ultimately there was a back channel deal made to remove nuclear weapons from jupiter mid range ballistic missiles from turkey so there wasn't a go she action there was some value creation in the negotiations and i think about something that we put very little value on right now i think i think i think we should be clear obviously it's not quite the hype of threat that you know that now makes out at the u.n. but the most difficult thing for the iranians to do is gather the uranium once you have the rain it's actually quite easy to make the bomb it's harder to put a missile of course but that is the also the bomb. to put the uranium and that's technically versus get
the media today of the dominant narrative has been that what occurred was that kennedy you know laid down the line too to the soviets that that these missiles had to go and that you know by standing strong we ultimately managed to sort of force our will the sub narrative. it hasn't been told as well although there have been some journals who have picked up on it is that you know that this was this was a negotiation and that ultimately there was a back channel deal made to remove nuclear weapons...
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when did the narrative change? did the president ask questions? was he briefed in person? or rely on paper reports? one thing is for sure, lou, and that's this. if this happened in new york, if one of the ambassadors picked off the streets in new york and the consulate in new york to the u.n. was damaged like in libya, there would have been hell to pay. what's the difference between where our ambassadors picked off by terrorist terrorists whether the votes of new york or benghazi. how is it possible the administration and the president, who should have superior knowledge, allows so board nants to tell multiple stories to the american people over a period of time? i believe the congress is fed up. the dni report suggests this was a terrorist attack, the white house has a lot of answers, and thank god for fox news being tenacious enough to cause the mainstream media not to ignore this. lou: ron, turning to the issue that brad is laying out before us, and that is now we have the dni correcting, if you will, unspecified initial impressions or at least a view, but at the same t
when did the narrative change? did the president ask questions? was he briefed in person? or rely on paper reports? one thing is for sure, lou, and that's this. if this happened in new york, if one of the ambassadors picked off the streets in new york and the consulate in new york to the u.n. was damaged like in libya, there would have been hell to pay. what's the difference between where our ambassadors picked off by terrorist terrorists whether the votes of new york or benghazi. how is it...
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Apr 3, 2012
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simply the narrative is not correct. from a physical point of view, if you take away the screens, the design is gone. i think that answers the question. >> thank you, mrs. eisenhower. >> let me ask you, let me start. we'll try to go through as many of these as we have time for. does the department have an estimated annual cost to main taint mmain -- maintain the memorial? >> no we do not. we have expect further information on testing they will do on the mesh panels. >> when do you assume you will have a ballpark figure for us? >> i don't know, sir. i cap get back to you. >> a lot of has been said about the processes here, i think the design process is going traditionally, certainly the selection process was different as you had in your word, the stream mrin pline process that with the short list of firms before you opened it up. can you tell me why you asked for portfolio from the firms and not actual designs as is normally done? >> the selection process is a qualifications based selection process, based on the brooks ac
simply the narrative is not correct. from a physical point of view, if you take away the screens, the design is gone. i think that answers the question. >> thank you, mrs. eisenhower. >> let me ask you, let me start. we'll try to go through as many of these as we have time for. does the department have an estimated annual cost to main taint mmain -- maintain the memorial? >> no we do not. we have expect further information on testing they will do on the mesh panels. >>...
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May 6, 2012
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narrative within days and what became the prevailing narrative was instead cut. democrats were very dissatisfied, democrats and the house. the head president obama so quickly lost his edge and basically was trampled narrative lee speaking by the push by republicans to roll out the government. >> host: robert draper is our guest do not ask what could we do inside the house of representatives is the book. previously, mr. draper has written another best seller, did certain, the presidency of george will you bush, longtime correspondent for gq contributing writer to "the new york times" magazine and to national geographic now. first call for him, jacksonville florida on the democrats' line. good morning. >> good morning, gentlemen we have the republican congress, the worst congress in american history. okay, proceeded by the worst presidents in american history, there would be george bush. let's look at the track record for the republicans. they come in with their little places, grover norquist we aren't going to raise taxes on anybody first thing they did, george bu
narrative within days and what became the prevailing narrative was instead cut. democrats were very dissatisfied, democrats and the house. the head president obama so quickly lost his edge and basically was trampled narrative lee speaking by the push by republicans to roll out the government. >> host: robert draper is our guest do not ask what could we do inside the house of representatives is the book. previously, mr. draper has written another best seller, did certain, the presidency of...